Write what you know.
A piece of advice many writers have heard at one time or another. Interestingly
enough, it is this piece of advice that got me into trouble during my early writing
experiences.
My first stories involved white pieces of paper that I
folded in half, used a ruler to draw lines, and then hand wrote stories that I
numbered and labeled Forever Friends. I
was nine years old, and I wrote myself as the main character that solved
whatever childish mystery my nine-year-old imagination could dream up. But by
ten, I wanted to accomplish something more than a short story. So I set out to
write my first book. What does a ten-year-old write about though? What they
know, of course, mixed in with as much creativity one can muster in terms of a
mystery. (Obviously, I’ve been stuck on the genre for awhile.)
The street I lived down became the setting of this book, and
then I peppered it with characters based on the people I knew. Of course, I
took creative leeway with these characters. The neighbor who I didn’t like
became the bad guy. The one that I did like became the good guy. I exaggerated
the characteristics that annoyed me. It was the early lessons of developing
characterization for future stories.
I was extremely proud of all 128 pages (though now I would
never let it outside of that container it is packed away in). In my sense of
accomplishment, I allowed everyone to read it. Everyone I knew that is, which
equaled my neighbors.
Hence, the tiny bit of trouble that ensued after the story’s
unveiling. Apparently, many of my “characters” didn’t like how they were portrayed.
My father asked me if I thought he was as mean as the father character in the
book. Several childhood friends were angry, and we stopped speaking for awhile
as girls of that age are bound to do in all the dramatics of that age.
Needless to say, when I wrote my next book at fourteen, I’d
learned how to cleverly disguise the people who inspired my characters by
mixing traits of different people into one character.
In a way, I still write about what I know. But it’s more
about what I intentionally know. I seek out interesting places and experiences
so that I can write about the life of South Louisiana authentically instead of
play into the stereotypes. The fictional town of Barbeaux Bayou is a
conglomeration of the places of the bayou where I’ve lived. As well as a cast
of characters that are based on the people I’ve met throughout my years here.
No one character is a real person. Thankfully, the people in my life have come
to understand that. Otherwise, they might get offended when they get killed off
as part of the impending mystery.
I will confess that the character that comes closest in real
life to a true person would be Paw. But even then, I took the best parts of my
papa and gave him a strong male presence in the story. If my Paw were still
alive, I’d probably still trail behind him in the garden, but I don’t think
he’d mind his appearance in the book. He’d probably laugh and ask me to pop him
some popcorn, so he could sit and listen to me tell him about it.
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